A.O. Scott - film critic

Scott’s criticisms remind me of the no-bullshit reviews of Pauline Kael and Roger Ebert. Their perspectives on the history of film anchor their viewpoints.

Example: JOKER

“To be worth arguing about, a movie must first of all be interesting,” A.O. Scott writes. “It must have, if not a coherent point of view, at least a worked-out, thought-provoking set of themes, some kind of imaginative contact with the world as we know it. ‘Joker,’ an empty, foggy exercise in secondhand style and second-rate philosophizing, has none of that. Besotted with the notion of its own audacity — as if willful unpleasantness were a form of artistic courage — the film turns out to be afraid of its own shadow, or at least of the faintest shadow of any actual relevance.”

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The Crown - Peter Morgan

This series that follows Queen Elizabeth has it all: great stories, acting, sets/costumes, filming, etc. The 3rd season seamlessly replaces the younger cast with older actors playing the same roles. A+

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Tom Waits - Musician, Actor, Old Man

It’s been interesting to watch Waits’ music evolve over the years. His first album Closing Time is still a favorite. Unlike many other musician, he’s seemed only to become more experimental throughout his career.

Recommended albums: Heart of Saturday Night, Rain Dogs, Bone Machine and Swordfish Trombones

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Lars Von Trier - Director

Breaking the Waves is one of those rare and fearless movies that manages to have a hyper real quality that quickly ties you to the characters, environments and story. Much of it was shot on handheld 35mm by Robert Müller and lit mostly with natural light.

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Jim Jarmusch - Writer/Director

I find Jarmusch is one of those directors that often surprises me with the most subtle of twists in his movies - where I didn’t see it coming but it lands in the third act and it was worth it.

Watch: Paterson, Ghost Dog or Mystery Train

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Sean Baker - Writer/Director

Baker is one of those promising young filmmakers who’s career will be interesting to follow. His first feature Tangerine was shot entirely on a smart phone and his follow-up film The Florida Project (image below) was comprised of non/new actors + seasoned Willem Defoe.

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Steven Soderbergh - Writer/Director/Editor/Producer

Soderbergh helped to define independent film in the late 80’s and early 90’s and now has over 40 directorial credits to his name. His sound/visual editing skills tip many of his films into a higher level of cinema. One of my favorite books about making movies is Soderbergh’s Sex, Lies and Videotape - it contains the genesis and evolution of SL&V as well as many behind the scene photos and notes about his process.

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WES ANDERSON - Filmmaker

Anderson is the master of ensemble and his style is so defined that it’s become cliché. But like so may excellent filmmakers, his work is so layered with great details, musical and narrative choices, that they often require multiple viewing to absorb the whole picture. Watch this excellent breakdown of his work.

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Daniel Johnston - Musician (Jan. 22, 1961 - Sept. 11, 2019)

I became aware of Johnston and his eclectic and raw music mostly from the compassionate 2005 documentary about his life, The Devil and Daniel Johnston. Filmmaker Jeff Feuerzeig chronicled the life of the manic-depressive/schizophrenic artist, using a blend of home movies, Johnston's own audiotapes, vintage performances, animation and current footage.

Johnston recorded nearly a dozen albums and amassed thousands of sketches, and has among his supporters Matt Groening, David Bowie, Sonic Youth, Beck, and Tom Waits.

Watch the trailer for the documentary here which also gives a taste of his music.

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The Soundtrack Show - Podcast

Okay, I recognize I’m a little obsessed with movies and soundtracks, so I feel like this podcast was made for me. That said, this is such fun analysis and an interesting lesson in music & sound that I think many people would enjoy what show creator/host David W. Collins does here. Listen to his excellent dissection of John Williams Raiders of the Lost Ark (Part ll) soundtrack.

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Harmony Korine - writer/director

Korine is best known for writing Kids (1995) and writing/directing Gummo (1997). His non-linear, fragmented style of storytelling and dark subject matter tends not to be for everyone, however, it’s hard to argue with his boundry-pushing experimentation of film. Read more here.

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Sally Menke - Film editor

Menke edited all but two of these films for Tarantino. Her contibutuions to modern independent film are giant. She died an untimely death in 2010 at the age of 56, while hiking in the hills of LA.

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