Clark worked in the 1970’s cutting-up buildings (mostly in NY) that were slated for demo. I love how his raw apertures exposed the many layers of buildings (inside & out) and often turned the mundane into art. See more about him/his work here.
Clark worked in the 1970’s cutting-up buildings (mostly in NY) that were slated for demo. I love how his raw apertures exposed the many layers of buildings (inside & out) and often turned the mundane into art. See more about him/his work here.
